Attention conservation notice: Semi-structured thoughts on an emerging genre of IR/political science studies.
Disclaimer: I reserve the right to distance myself from any and all ideas in this essay.
I’ve been reading stacks of books about popular culture and international relations recently. Let me grossly simplify the warrants that such pieces often provide for the time that their authors spent writing them and the time they want their readers to spend consuming them:
- Popular culture/science fiction provides a great way to introduce students to concepts in international relations and political science.
- Popular culture/science fiction changes the way that people think about IR/political science already, so we should understand what it is saying.
- Popular culture/science fiction gives us greater shades of meaning about how people think about core topics in IR, like war, peace, and even the nuclear taboo.
- Fictional universes enable scholars to engage in theorizing that gets at the core of topics related to social science, thereby potentially helping us to understand the real world.
These are strong claims, and they merit attention–if popular culture matters to a lot of people (and it does), and if popular culture tells us something about how people see the world (which seems plausible to me!), then it follows that IR and political science as a field are paying too little attention to a major part of the constitution of world politics.
Yet despite my great sympathy toward these projects, I find many of the actual engagements along these lines deeply lacking.